Category Archives: dark pages

articles previously published in the film noir mag-let known as Dark Pages

First Look: Dark Pages latest issue

hot off the presses is the very latest issue of the original bi-monthly publication for noir movie fans; here’s what you’ll find in it…

The cover story is a feature on one of noir’s greatest dames, Gloria Grahame. There’s part 2 of the Jean Heather profile, nuggets on Marilyn Monroe in noir, steep ponderings on the question of “what is noir?” and on the question of why a bunch of the best noir actresses didn’t get Oscars they so richly deserved, another installment in the ongoing history of noir music, plus the usual quizzes and quotes and letters.

As for me, I contributed a movie review plus my regular Noir on TCM viewing calendar full of details on a theme; this issue it’s all about movie-making bumpy rides, problems legal, contractual, personal, trivial and/or financial, and let you know about all the noir dvd and blu-ray releases confirmed through the next couple months.

As usual, Dark Pages is bursting with grade A noirhead knowledge and opinion, guaranteed to entertain and enlighten. Subscribing is easy, with paper and e-versions available so just check out this page to learn more and subscribe  and hit that dark pages tag in the fine print of this post to see what past issues were all about.

First Look: Dark Pages Special Nightmare Alley issue

NightmareAlleyDark Pages’ year end extravaganzas have been big deals in the past, but I dare say this time DP founder/editor Karen has really outdone herself! She kindly let me choose the featured movie for this year’s theme issue and I went with one starring one of my favorites, NIGHTMARE ALLEY. We were so lucky to have tons of interest which resulted in fantastic contributions, more than enough to make this issue a big 40-page collector’s item full of history, background, analysis,opinion, trivia, biography and great photos. Here are just some of the articles you’ll find in this issue (with links to those that have blogs):

I write on Tyrone Power’s performance and about director Edmund Goulding

review by Jacqueline of Film Noir Blonde,

A Rose Isn’t a Rose (or “The Contrarian’s View”)

The Doppleganger Effect by Rebecca of  Classic Becky’s Brain Food

Barbara McLean, film editor –  Jo of The Last Drive In 

Coleen Gray Interview by Laura of  Laura’s Misc Musings

Dark Corner Performers (Ian Keith and Taylor Holmes)

Helen Walker by  Danny Reid of Can’t Stop the Movies

Joan Blondell by  Cliff from Immortal Ephemera

Linda Christian

Mike Mazurki   by  Dorian from Tales of the Easily Distracted

Nightmare Alley and Psychoanalysis by  The Nitrate Diva 

Noir in 1947 by  Aurora of Once Upon a Screen

Script to Screen, aka the adaptation

Things I Love About Nightmare Alley

Top Six Great Moments by Jennifer of  Dereliction Row

Where’s the Gun? aka unconventional noir

William Lindsay Gresham,  the source novel’s author

plus loads of trivia, factoids and quizzes… I hardly need to sell this one any further, so if you have any interest at all in this fabulous film and this issue and all those great writers, then click right here to learn more about subscribing to DARK PAGES !  thanks everyone for contributing and making this a big success, and something special for the readers! cheers

(picture source)

Must See: Nightfall

Aldo Ray was an unusual but wonderfully appealing and layered actor, one of the most lovable hulks that appeared in noir. He was a whispery, gravel voiced giant with quite a range, considering he was believable in such a wide variety of roles: a softhearted, driven and idealistic soldier (Battle Cry, Men in War), dopey boxer (Pat and Mike) or lovable ex-con (We’re No Angels). In Nightfall he’s just a regular guy, a wrongly accused and bewildered artist who just wants to go camping with a buddy and gets sucked in to the aftermath of a heist. Brian Keith plays one of the bank robbers torturing Ray over the whereabouts of their money, which he knows nothing about. Anne Bancroft first helps trap Ray, then has the whole story explained to her, a tale which involves a mix-up with the doctor’s bag and Ray being suspected of murder. Directed by Jacques Tourneur from a David Goodis novel, this is a great noir, a must see, and one of my favorites; it’s the snowbound cousin of Tourneur’s Out of the Past and every bit as beautiful. It’s not just the wintery setting that makes Nightfall different and refreshing (though the snow leads to one of the most interesting death scenes ever filmed), it’s the neat mix of wisecracks, dark humor and morbid violence that makes the film seem thoroughly modern. Don’t miss it, 

NIGHTFALL  is on TCM tuesday 1pm

(a version of this article was previously published in Dark Pages Magazine)