
Though Hammer films is best known for its horror movies, this 1960 urban crime procedural from that studio is a fantastic picture that any noir fan will enjoy. Continue reading

Though Hammer films is best known for its horror movies, this 1960 urban crime procedural from that studio is a fantastic picture that any noir fan will enjoy. Continue reading

hot off the presses is the latest issue of the bi-monthly noir publication… Continue reading

This 1956 British crime movie (Alternate title The Third Key) begins as a burglar alarm goes off and we watch someone with very soft soled shoes emptying a safe at Stone & Co. Continue reading
Jean Gillie, a radiant, redheaded British actress, gave a delightfully wicked performance as Margot Shelby in Decoy (1946) and made that movie a minor noir classic. Continue reading

This is a good 1961 British gangster movie that relies on basic and predictable but solid formulas and conventions and is worth watching mainly because of the presence of two greats, Herbert Lom and Sean Connery. Continue reading

Who doesn’t love a heist movie? You? Very well, you better leave now then. I love them and this one a UK production from 1961, is a good one.
Dark Pages’ year end extravaganzas have been big deals in the past, but I dare say this time DP founder/editor Karen has really outdone herself! She kindly let me choose the featured movie for this year’s theme issue and I went with one starring one of my favorites, NIGHTMARE ALLEY. We were so lucky to have tons of interest which resulted in fantastic contributions, more than enough to make this issue a big 40-page collector’s item full of history, background, analysis,opinion, trivia, biography and great photos. Here are just some of the articles you’ll find in this issue (with links to those that have blogs):
I write on Tyrone Power’s performance and about director Edmund Goulding
review by Jacqueline of Film Noir Blonde,
A Rose Isn’t a Rose (or “The Contrarian’s View”)
The Doppleganger Effect by Rebecca of Classic Becky’s Brain Food
Barbara McLean, film editor – Jo of The Last Drive In
Coleen Gray Interview by Laura of Laura’s Misc Musings
Dark Corner Performers (Ian Keith and Taylor Holmes)
Helen Walker by Danny Reid of Can’t Stop the Movies
Joan Blondell by Cliff from Immortal Ephemera
Linda Christian
Mike Mazurki by Dorian from Tales of the Easily Distracted
Nightmare Alley and Psychoanalysis by The Nitrate Diva
Noir in 1947 by Aurora of Once Upon a Screen
Script to Screen, aka the adaptation
Things I Love About Nightmare Alley
Top Six Great Moments by Jennifer of Dereliction Row
Where’s the Gun? aka unconventional noir
William Lindsay Gresham, the source novel’s author
plus loads of trivia, factoids and quizzes… I hardly need to sell this one any further, so if you have any interest at all in this fabulous film and this issue and all those great writers, then click right here to learn more about subscribing to DARK PAGES ! thanks everyone for contributing and making this a big success, and something special for the readers! cheers

Virginia Mayo was so much more than just a blonde bombshell; in fact she wasn’t even that in real life. She was a welcome presence in any film, a great singer, dancer and comedienne, and especially fun in the crime films she made, because she was so good at being bad. Continue reading

From each writer of source novels adapted to film, you get a signature and recognizable style, even when their material is reshaped by Hollywood. From W.B. Burnett (Little Caesar, High Sierra, Asphalt Jungle) you get rugged and realistic hardened criminals, gritty underworld settings and machine gun dialogue. From Raymond Chandler you find the creeps often live in the most opulent mansions. From Charlotte Armstrong, whom some called Queen of suspensers, you get unseen horrors hidden beneath a highly dusted and waxed veneer of domestic life, a juicy hot evil center baked right into the familiar conventions of a regular women’s novel of the time, something writer Ariel Swartley nicely describes as being trapped in a Doris Day movie gone bad. Continue reading
Question: what do you get when you mix The Usual Suspects, The Third Man and The Maltese Falcon? A good evening of viewing, not to mention a cast of characters making for a highly memorable if slightly dark and frightening dinner party, you might also get something along the lines of this fantastic film. Continue reading