Must See: From Here To Eternity

Wherein we engage in a little cinematic mythbusting… Anyone who’s seen The Godfather remembers the famous scene where the movie producer finds a horse’s head in his bed, left there to persuade him to give the singer “Johnny Fontane” a juicy part in a big war movie. “Johnny” was assumed by many to be based on Frank Sinatra, and the “offer you can’t refuse” was read as the way he got his role in From Here to Eternity. Sinatra’s daughter Nancy was just one of many people who eventually busted this Hollywood/mafia rumor, and the real tale goes like this. From the time the movie rights to the source novel From Here to Eternity were bought in 1951, to the shoot a couple of years later, Columbia studios went through tons of casting possibilities, including Broderick Crawford, Glenn Ford and John Derek. For the part Sinatra eventually played, “Maggio,” director Fred Zinneman had already screen tested and pretty much settled on Eli Wallach. Sinatra had read the bestseller, and so strongly identified with “Maggio” that he was determined to get the part, and sent a series of telegrams to the film’s producer, director and studio president Harry Cohn (who, by the way didn’t even own a racehorse, to further put that Godfather connection to rest) pleading with them to just give him a tryout.

At that time, Sinatra had to beg for a shot because, after scaling the pop culture mountaintop as the generation’s biggest teenybopper idol, teens were then as now, notoriously fickle fans. They grew up and out of their Sinatra hysteria, times and tastes changed, and Sinatra entered a down period of his career and personal life. As the 1950s started, he had fewer hits, made a couple flop films and had gone through a scandalous divorce. Though he was then with Ava Gardner, who certainly did her part to get the studio to consider him for Eternity, he seemed to have neither traction nor attention in Hollywood. He was so low down the totem pole that Columbia finally agreed to a screen test if he could get back from Africa (where Ava was shooting Mogambo) on his own dime; when they did give him the role they paid him $1,000.00 a week. But he got his chance, and was great in the movie, drawing authenticity from his own recent experiences with defeat, despair, disappointment, and rejection; he went on to win the Best Supporting Actor Oscar, capping off one of the greatest comebacks ever seen in Hollywood.

See it MONDAY, NOVEMBER 12 @ 10:15 PM on TCM

10 thoughts on “Must See: From Here To Eternity

    1. me too, I’m a big fan.. I find he was able to bring the same emotion to most of his movies that he did to the music; emotive singers are actors, after all. Imagine if Elvis had the same range of roles,or did a noir…


  1. I have conflicting feelings about this film. I think the male characters are perfectly cast, but I don’t feel the same way about the females. I also don’t really feel like Kerr and Lancaster have chemistry, even though that beach kiss is iconic. Feel free to send me hate mail.


    1. haha, that’s allowed, to have different opinions! I might get hate mail too, for saying Lancaster & Joan Fontaine were an odd match in KISS THE BLOOD OFF MY HANDS. but, tangent.. yes the men were perfection for sure — thanks.. who pray tell would have been your fantasy casting for the female roles?


  2. I love everything about From Here To Eternity including Sinatra and the ladies as well. (Of course Kerr is one of my all time favorites.) Glad to hear that all the Sinatra/Godfather stuff isn’t accurate. I would hate to think he didn’t get the part for his talent.


    1. Thanks, of course this is the super-simplified Sinatra-centric version& surely there was more, but no, no horses were harmed in the making of Eternity


  3. Sinatra surely did deserve his Oscar no matter how he got the part. And I have always loved the movie…never noticed improper casting of females, but then very few females capture my attention…Maureen O’Hara, Claire Trevor, Kate Hepburn, to name a few. Excellent parry to the thrust, by the way! KEITH



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