Tormented (1960)


Nobody but his she-ghost will ever have him.

Sticking with Bert I. Gordon films (after yesterday’s The Cyclops), here’s another movie he wrote, produced and directed, Tormented (1960). Richard Carlson plays a “piano genius of jazz,” a known but still starving artist who is a week away from marrying a rich young socialite (Lugene Sanders). His previous girlfriend (Juli Reding) has come to the island where his future in-laws have a beach house and where the wedding is taking place, and she demands that he break it off and return to her. No, says Carlson, you must understand that what we had was just fun and now it’s over. But there’s no understanding, and the fun sure is over when Reding threatens to make their love letters public. With a prospective father-in-law who’s not keen on having a musician in the family, publicity like that would ruin everything. Carlson and Reding take their argument to the top of the decrepit lighthouse where they’ve secretly met, and in the midst of her continued threats, Reding leans back on an unstable rail, breaks through, and hangs from one hand. Carlson, recognizing the possibilities, doesn’t lift a finger to help and lets her fall to the rocks and sea below. Come daylight, he spots her body and swims out to retrieve it, but as he lays her on the beach she dissolves into a pile of seaweed.


Thus begins a week-long nightmare for Carlson in which Reding haunts him by appearing in his dreams, as a voice ringing in his ears, as a damp chilly draft and the scent of perfume, as footprints on the sand following him and fiance or walking into the in-laws house, as a levitating hand stealing the wedding ring, and as a head resting on his side table. Since Reding was a singer, her hit record “Tormented” keeps finding its way to his turntable despite Carlson’s best efforts. “No one will ever have you but me,” is her refrain, which slowly drives him mad, and certainly makes him look insane to the people who don’t share his visions.


There’s a blind woman (Lillian Adams), a real estate agent who tells stories of the place just down the beach which has been uninhabitable since the disappearance of and subsequent haunting by a little boy and his dog. She’s quick to sense that something is bothering Carlson, and wonders why her seeing eye dog acts so strangely around the lighthouse but, still skeptical about ghosts, she logically assumes his previous girlfriend is on the island pulling pranks and trying to sabotage the wedding. Someone else wonders about Reding’s whereabouts; the beatnik sailor played by Joe Turkel (“you sure have a nice pad, dad…I heard you’re getting spliced”). Turkel ferried Reding over and comes to take her back to the mainland as she arranged. Initially he just comes asking for his unpaid fare, but this opportunist surmises Carlson did something to her, and blackmails him.

Meanwhile, Carlson’s future sister-in-law, little Susan Gordon (Bert’s daughter and actress in a few of his films), is his best buddy until she witnesses him killing someone. Gordon is cute, precocious and curious and fearful where it serves the story, without ever being an annoying brat. She talks like a grown up, acts as peacemaker between the couple when they quarrel, and asks Adams why it is that the best subjects are “for adults” and labelled “never mind.” That lighthouse, once the favourite haunt of “necking” lovers, as the child so matter-of-factly puts it, is an inviting place for a kid to explore, no matter how many adults warn her away from it. Now that Reding makes it her ghostly headquarters, even flicking on the light to signal when some spooking is going on, it’s set up as the most dangerous place little Gordon could find go. Which of course means she will go, and means we’ll all end up there for the climax, in which the girl’s attacker and saviour won’t be who you think.


As in The Cyclops, special effects are often transparent, and that works perfectly here to make Reding a sheer, billowy apparition. When Carlson argues with her head in his beach house, it’s more funny than scary, as is her hand crawling under his piano, or the wedding dress found covered with seaweed, but there are more disturbing scenes, like the lighthouse railing that refuses to be repaired, the party photo showing a giant Reding in the background, or the way her cloth-wrapped head breaks open into a bouquet of flowers. Then, there’s one terrific ghost movie scene. At the wedding, the priest gets the “speak now or forever hold your peace” part with several present who could drop a bomb. After a long, suspenseful pause and nervous glances, the church doors fly open, driven by a powerful wind that makes its way slowly down the aisle, extinguishing candles, wilting flowers, and also tilting the camera for great shots of the horrified couple as the wind inches closer to the altar and the theremin sings. The priest’s book riffles open to “burial of the dead” and the way he snaps it shut with a shudder and a prayer is a priceless end to a fantastic sequence.


I’m a Richard Carlson fan and enjoyed the way he played this, as a man tortured by guilt, and also trying hard to convince himself that it was an accident and not his fault that Reding died. He’s likable and charming, resists as much as he can, really milks the moments where he’s shocked to see Reding’s jewelry on the beach or the girl’s wrist after he’s tossed them far away, and he turns totally creepy with those who threaten to expose him, especially when they’re loved ones.


14 thoughts on “Tormented (1960)”

  1. Never seen it, nor have I even heard of it. Where are you finding this stuff? It does sound like great pulpy material and that church scene has me intrigued.

    1. This one was on TCM, it’s pretty low grade but when a movie has those few scenes that work, then it’s worth it. Carlson is fun to watch, he always gave these his all.

      1. I see. Low grade doesn’t bother me much so long as there’s points of interest. I’ll be looking out for this one from now on.

    1. He is, I like him a lot. The mst3k picks are fun and in among the bad ones they ended up featuring a few great movies! Thanks

  2. This is on my shelf somewhere! I’ll have to dig it out. Gordon films are so cheesey and the fact that he never stopped cranking out the same silly effects into the seventies shows that he was a real trooper.

    1. I have a few more that were on TCM recently and others in my collection, so I should pull them all out and continue with the fun.

  3. Well Kristina, you have moved on from a Gloria
    Talbott kick to a Bert I Gordon theme,cannot be at all
    bad. The recent Warner Archive DVD remastered in
    widescreen looks wonderful.
    I too really like Carlson but I think he does a lot
    more for this film than it does for him.
    I kinda liked the coastal setting of this film.
    The Carlson fright-fest I would love to see get a
    DVD (or even better Blu-Ray) release is the very creepy
    I don’t know who owns the rights to THE MAZE,
    it’s one of those Allied Artists titles not owned by
    I have seen THE MAZE in 3D and it looks great in that
    Oddly enough THE MAZE’s leading lady Veronica
    Hurst has been appearing at several events in London
    looking wonderful I am told.
    She enjoys chatting to the fans,but does not have a good
    thing to say about ex-hubbie William Sylvester.
    That’s a pity ‘cos I always enjoyed Sylvester in the movies
    that he made. I guess the pair met while making a cracking
    British thriller THE YELLOW BALLOON.
    Sadly that film got lost in the parcel that I sent to Laura
    recently. I can re-send it in the next parcel if you are
    interested in seeing it.
    I’ve kinda gone off topic,hope that’s OK.

    1. Just happened to be the handiest movie I found, to stay in some kind of a chain 🙂 I have to do a little searching for the next Gloria picture. Maybe will move to Chaney’s INDESTRUCTIBLE MAN soon since I found that here as well. I like Carlson (I have to rewatch BEHIND LOCKED DOORS someday) and I like THE MAZE a lot, I only discovered it over a yr ago and wrote about it here that was tons of fun! I want to see it again in 3D if I ever get the chance 🙂 I must see THE YELLOW BALLOON! love a good thriller. You can go off topic anytime, in fact you’re on the topic of movies so that’s not off in the least. Best!

      1. The parcel with THE YELLOW BALLOON showed up on my doorstep today — 7 weeks after it was posted by John!! A good mail day!!

        Best wishes,

  4. Thanks for the link to your review of THE MAZE.
    As a new commentator here it’s one I missed.
    Loved Laura’s comment that she is a “Chicken when it
    comes to Horror” 🙂
    Some conversion therapy is needed here I think.
    Will send THE YELLOW BALLOON in the next parcel that
    I send Laura,I think you will enjoy it.

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